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#Sound control panels how to#

Then later on, when you begin installing acoustic treatment in your room, use the clap test constantly throughout the process to observe how the sound changes. If you need some reference points to hear the difference between good and bad acoustics, perform the clap test in a wide variety of different rooms, and take notice of which types tend to sound best.

The closer it is to #2, the less acoustic treatment you will need in general, although virtually any room will still benefit from a little.

The closer it is to #1, the more absorption you will need to make the room sound as dry as possible.

Most likely, the sound you hear will be somewhere in-between.

In the BEST case scenario – you’ll hear a pleasant reverb, which typically occurs in larger rooms with high ceilings and lots of complex diffusive surfaces.

In the WORST case scenario – you’ll hear a harsh metallic ringing sound, which typically occurs in small cubical rooms.

Walk around the room and clap your hands as loud as you can from every spot, and listen closely to the reflections that follow. The very first step in building a plan for your room, is to evaluate the extent of its problems.

#Sound control panels how to#

How to Soundproof a Room for Music Recording.If you want to learn more about soundproofing specifically, check out our next post in this chapter: The main benefit here is…you can record whenever you wish, without worrying about you and your neighbors disturbing each other.Īcoustic treatment on the other hand, ONLY controls reflections WITHIN the room, to make better sounding recordings.īOTH of these are valuable, but NEITHER does the job of the other. air-tight sealant over gaps in the windows/doors.Soundproofing works to block the sound that travels IN and OUT of the room with: When really, they’re completely different. Very often, musicians use these terms interchangeably, mistaking one for the other… This change could be either LARGE or SMALL…GOOD or BAD. With reflected sound however, each reflection that makes its way back to the microphone will change the overall tone significantly.ĭepending on the size of the room, and the reflective surfaces within it… Since direct sound does not interact with the room, its frequency balance remains pure, and its tone unaltered. Some of those reflections reach the microphone by chance, moments later.The remainder (known as reflected sound) bounces randomly between the surfaces of the room.A small portion of it (known as direct sound) travels in a straight line to the microphone.Starting at the source, it projects outward in all directions.When a sound is made in a room, here’s what happens: 5 Cheap Acoustic Treatment Tricks for Broke Musiciansīefore we start buying anything, we’ll begin basic explanation of acoustics.Control Room vs Live Room Acoustic Treatment Strategies.

How to Set Up Your Acoustic Treatment Package.3 Great All-in-One Acoustic Treatment Packages.Removing Natural Reverb with Acoustic Treatment